Saturday, November 10, 2012

Booming

I have a problem with collecting things. Some might call it hoarding, I call it electronic adoption. One of the items I am constantly on the lookout for is a boombox. You know, those huge clunky 8+ D-cell battery monsters from the 80s. Awkward to lug around, audibly intrusive into other's bubbles, and built around a physical form of media that is all but extinct in the present day. I find it interesting that the image of a boombox is still an icon in today's graphics, and recognizable to those kids who have never even used a cassette tape. Kind of like the floppy disk icon still being used as the universal "Save". But anyway, on to the point of this post.

Some of these boomboxes were built with TVs inside of them. The model I find most often like this is the Emerson XLC-450.


In actual boombox levels, it's a pretty weak contender. One thing going for it is a line-in option, but this guy pretty much just sat on my shelf gathering dust until I started to read up on possible ways to utilize the TV screen for some cool visual stuff. There are plenty of tutorials around the net on how to turn an old TV into somewhat of an oscilloscope, so I figured why the hell not. This will be the third of these models that I've modded this way, so I decided to document the process.

DISCLAIMER: I am not any sort of electronics expert, and honestly am surprised that I didn't blow something/someone up in this process. Attempt at your own risk.

So a CRT display basically works with two coils. One coil moves the electron beam horizontally, the other coil moves it vertically. Looking inside this boombox we can see these coils, with four wires leading up to them.


Two of these wires control the horizontal coil, two control the vertical. By trial and error you can find the pair that controls the vertical coil (disconnecting the vertical coil will result in a horizontal line on the screen, and vice-versa).


What we're after are the pair of wires that control the vertical coil, which are then resoldered onto the horizontal coil. This is because of the vertical frequency 60Hz, as opposed to the horizontal of 31500Hz, gives us the output that we're after. Switching the wires around the other way (horizontal coil wires stay put, input on the vertical coil) gives a horizontal line that just moves up and down with the input signal. At this point we're ready for some input! I simply split the right channel into the vertical coil. Feeding in a square wave gave me this as output:


Not very impressive so far. If you look around the board itself, you'll see several potentiometers that control the various properties of the screen. (SERIOUSLY: Be careful about poking around in there). 



I'm sure these vary from TV to TV, but by twiddling around with different positions of the pots I eventually got a nice solid horizontal line across the screen. The only thing left to do: dim the lights and play some tunes!





Friday, July 20, 2012

The birth of a bike polo mallet

I've recently been introduced to the interesting sport of bike polo (or more specifically "Hardcourt Bike Polo"). It's basically polo on bikes, 3 people on a team and your feet cannot touch the ground at any time. If you do touch the ground, you are then out of play and must tap back in at center court at the wall. The sport greatly surprised me with how fun and addicting it is to become better. It's also another reason to do one of my favorite things, build up and ride a bike! Almost everything about bike polo is centered around "do it yourself", which is another enjoyable aspect in my opinion. This past week my friends down at PROJECTiONE helped me build up a polo mallet of my own, as I was pretty clueless about the whole process.

A bike polo mallet begins with a shaft. Where does one acquire these shafts? Ski poles! A quick trip down to a local thrift store with my trusty bike trailer and I had about a dozen poles to work with, all for $5.

Next stop, the PROJECTiONE workshop. These guys are awesome at what they do: laser cutting, welding, basically anything creative. My next big decision was which pole I wanted to use for this mallet. This is very important, it's like your Pimp Cane on the court. I ended up choosing a cool white one, surely from the 1980s with "Racing GIPRON" printed on the side of it. It's obvious that GIPRON backwards is NOR Pig, some sort of weird logical riddle that will stump my opponents and allow me extra time to score.

Now that my trusty pole has been chosen,
I stripped all the extra parts from it and measured against other mallets to gauge how long I wanted it to be. Next step: Chop!
As my new shaft lay there on the ground bleeding out, we made a quick trip to the hardware store to buy, um, some hardware. The basic idea is to drop a nut (we used a coupling nut to keep it straight) down the shaft from the top and thread a bolt in from the bottom, pulling the mallet head tight.

Utilizing my extensive computer graphic skills I have created an intricate diagram to further explain this step.



We ran into a slight problem here. The nut was too wide to fit far enough down the shaft for the bolt to catch.


Kyle knew exactly what to do.



Conclusion:

Sparks are cool.






Almost done! The next step is to file some teeth into the very end of the shaft so it bites in the mallet head (a tube of UHMW Polyethylene). Drop the nut in, thread the bolt nice and tight and you've got a shiny new mallet to go smack some balls with. You can drill holes into the mallet head to get the weight where you'd like it to be, I'm still experimenting with what I want. I wrapped some old bar tape around the handle to provide a nice grip, and stuck a bouncy ball on the end for some flair. Sadly the bouncy ball didn't last long in actual play, and I'm now in search of a cool new top to my polo mallet.

If you're interested at all in bike polo, I urge you to look for a group in your area, we play here in Muncie at least once a week (Wednesdays at 6:30 behind Savage's Ale House). Check out our group for more info!

cheers